Star Trek: The Motion Picture

幻游百科,影视科幻的百科全书


US Release:	1979-12-07
Year:	2272¹
Stardate:	7412.6
Director:	Robert Wise
Story:	Alan Dean Foster
Screenplay:	Harold Livingston
Producer:	Gene Roddenberry

Kirk sees the Enterprise again

The officers on the bridge

The Enterprise enters the cloud

Spock above the Machine Planet

《星艦迷航記》(Star Trek: The Motion Picture)(派拉蒙影業公司，1979年)是以熱門科幻影集《星際爭霸戰》為基礎的第一部電影。英文中因縮寫而常稱ST:TMP或TMP。

"The human adventure is just beginning..."

When a large and destructive space cloud is spotted approaching Earth, Admiral Kirk resumes command of the refitted USS Enterprise to intercept it.

纵览

◆ 片　　名：星舰迷航记之无限太空 / 英：Star Trek: The Motion Picture / 台：星舰迷航记 / 港：星空奇遇之最后战线 / 其他：星际争霸战

◆ 导　　演：罗伯特怀斯 (Robert Wise (I)) 　

◆ 主　　演：沃尔特凯尼格乔治塔凯伦纳德尼莫依尼切尔尼科尔斯麦耶尔巴雷特詹姆斯杜汉迪弗利斯凯利威廉沙特纳斯蒂芬柯林斯

◆ 类　　型：动作（Action）　科幻（Sci-Fi）

◆ 国家地区：美国

◆ 发行公司：派拉蒙（Paramount）

◆ 制作公司：派拉蒙（Paramount）

◆ 首映日期：1979年12月07日

　　一九七六年，美國太空總署收到四十多萬封來自民間的信件，信中一致要求將第一艘出廠的太空梭命名為「企業號」，與「星際爭霸戰」中的星艦同名，這是這一艘太空梭名字的真正由來。九月十七日，企業號太空梭帶著全人類的希望升空，製作人金恩‧羅登貝利和星艦企業號的主要成員們都參與了這場首航典禮。就在四天後，美國派拉蒙電影公司在紐約時報上刊登了全版廣告，正式宣佈「星際爭霸戰」要從電視影集搬上大銀幕，這個消息立刻引起了無數影迷的熱烈關切。

　　但是在一年後，派拉蒙電影公司卻又擱置了電影計劃，決定由旗下的電視網拍攝第二代的星際爭霸戰影集，「星際爭霸戰二」﹝STAR TREK : PHASE II﹞，除了史巴克之外，「星際爭霸戰」的全體成員全部到齊。「星際爭霸戰二」在一九七七年開始製作，接替史巴克一角的是一位名為「克森」的純種瓦肯人。「星際爭霸戰二」被派拉蒙電視網視為一項大製作，他們重新設計企業號、搭出新的場景、定期開會討論劇情和製作，並開拍了前面幾集。但由於星際大戰的上映，派拉蒙電影公司決定認真考慮將星際爭霸戰搬上大銀幕，而李昂納‧尼摩伊也答應回來繼續飾演史巴克一角。

　　一九七九年十二月七日，星艦企業號帶著千千萬萬星艦迷的期望，躍上大螢幕。電影第一集「星艦迷航記」﹝STAR TREK : THE MOTION PICTURE﹞上映的時間離電視影集停播剛好整整十年，影迷們瘋狂地擁進電影院想一賭老朋友的風采。本集最令人感動的地方就是全新的企業號出現的時候了，寇克將軍的小艇繞了它六分鐘之久，也許我們現在重新看這一段會覺得有點無聊，但對當時的影迷而言，能看到足足六分鐘的企業號英姿，不禁都熱淚盈眶。「星艦迷航記」由傑瑞‧高得史密斯﹝Jerry Goldsmith﹞配樂，因為製作人喜歡，後來星艦奇航第二代影集「銀河飛龍」的主題曲在製作人的要求下換成本集的片頭音樂。「星艦迷航記」入圍了奧斯卡最佳藝術指導、最佳配樂和最佳視覺效果獎三個獎項。

　　「星際爭霸戰(TOS)」結束後，企業號為期五年的探險任務即圓滿結束，寇克艦長因為領導企業號立了大功而昇為星際艦隊的將軍；史巴克離開艦隊回到瓦肯星修鍊，試圖讓自己成為一個純正的瓦肯人，把殘存的人性情緒部份完全根除；麥考伊醫官也因為個性的關係離開星際艦隊，只剩下史考特、蘇魯、契可夫和烏胡拉還留在企業號上服役。

　　兩年後，星曆 7421.6，一團高能量的物體在太空中飄移，任何船隻經過它便馬上被摧毀，完全消失。而地球的防衛系統發現它正往地球飛過來，這下子可不得了，星際艦隊馬上對寇克將軍發出命令：「檢視企業號，準備執行緊急任務！」寇克將軍找回麥考伊醫官，再度接掌企業號。

　　寇克將軍已經不熟悉企業號的運作方式了，企業號很多地方都已經經過裝修、改良，但由於寇克是星際艦隊的高級長官，所以在出發之後，原企業號的艦長迪克只好很不情願地交出指揮權。

　　在前往高能量物體的途中，企業號突然發生嚴重故障而不得不把速度減慢下來。這時來了一艘瓦肯星艦，上面有位乘客想登上企業號，原來是史巴克。史巴克沒有通過試煉，他體內深藏的人性仍然無法根除，於是便決定還是回到星際艦隊來繼續服役。

　　史巴克的到來很快地就幫忙排除一切故障，使得企業號能夠繼續前進，不料正當穿過能量物體時，船員「伊莉雅」卻突然被一種不知名的力量擄走，傳送回來一個和她一模一樣的複製人，並宣稱自己是被派來溝通的媒介。原來這個能量體竟然有高度的智慧！它透過複製的伊莉雅說明自己叫「威者」﹝V'ger﹞，正要航向地球去尋找自己的創造者，並且想要與創造者結合。

　　這時史巴克擅自偷了一艘小艇，獨自駛向能量物體的內部，試著利用瓦肯的心靈融合與它溝通。結果史巴克發現威者竟然是部活的機器！企業號沒有辦法阻止它，只好隨著它往地球前進，威者用各種訊號溝通它的創造者，結果當然是得不到回應。威者認為這是地球上的「碳基生命」干擾所致，因此決定要把所有地球上的生物全部消滅！

　　寇克將軍於是騙複製的伊莉雅說創造者必須先與威者面對面接觸才肯回答它的問題，複製的伊莉雅便帶領寇克、史波克、麥考伊與迪克前往能量核心，沒想到卻發現裡面只有一艘古老的太空船－－「航海家六號」。原來它被改造成一部有智慧與意識的機器，但它還是一直在執行執行人類在兩百七十年前賦予它的命令：「搜集一切資料並傳回地球」，原來人類就是威者的創造者。

　　最後威者提出要求，它想要和自己的創造者結合，於是迪克艦長自告奮勇，在一片光芒中與威者及複製的伊莉雅結合成一體。威者融合了迪卡與伊莉雅的人性，變成一種嶄新的生命形態，繼續它無盡的宇宙探險。

　　寇克將軍留下來繼續指揮企業號，展開第二次的五年任務，人類的冒險才剛剛開始....

[编辑]

剧情

廿三世紀的十年後——

西元2212年，企業號為期五年的探險任務圓滿結束，老戰友們也就從此各奔前程。一轉眼，十年就過去了。寇克艦長因為領導企業號立了大功，很快就晉昇為星際艦隊的將軍；史波克則離開了艦隊，回到瓦肯星閉關修鍊，試圖把自己內部最後的矛盾化解，把來自母系的殘存人性完全根除：老骨頭麥考伊也因為個性的關係，早就無心在官僚的星際艦隊中求發展；而四大護法--史考特、蘇魯、契可夫與烏乎拉，也都各有各的出路。昔日企業號的光榮歷史，似乎是不可能再有重現的機會了。

不過，這些年來，寇克卻始終沒有死心。

已經當上將軍的寇克，雖不一定權大卻也總算位尊，所以當然輪不到身先士卒的太空任務了。但是，身為一個天生的鬥士，要他每天坐辦公桌處理公文，在這個龐大的官僚體系中尸位素餐，對於全身充滿冒險細胞的寇克來說，簡直就是比坐牢還要痛苦難過。這幾年以來，他愈來愈厭倦這種生活，一直都想找機會重整原班人馬，再度領導企業號到銀河深處進行星際探險。因為唯有在企業號的艦橋上，寇克才能真正感到生命的意義與存在的價值。

十年都過去了，重返企業號的希望似乎愈來愈渺茫。然而總算皇天不負苦心人，一個期待多年的機會終於出現了……

一團碩大無朋的高能離子雲，在遙遠而神秘的太空中迅疾地飄移。這團能量雲具有無堅不摧的威力，足以毀滅宇宙間任何物質結構。在它所劃過的軌跡上，早已有好幾艘分屬銀河三大勢力的星艦遇難。

地球--銀河系星球聯邦的重鎮，星際艦隊總部的所在地。在位於北美洲舊金山的艦隊總部辦公室中，寇克將軍正像往常一樣百無聊賴無所事事，突然間卻接到了一個再好不過的命令--「檢視企業號，準備執行緊急任務」。原來地球的防衛體系己經發現了那團高能離子雲，而且偵測出它正對準地球飛來。寇克將軍的任務，就是要趕在它到達地球之前，率領企業號先迎上去一探究竟。

闊別了將近十年，當寇克重新登上企業號時，內心的興奮與激動真是難以形容。可是當他隨著現任的艦長迪卡檢閱過了人員與裝備之後，卻又不禁興起不少陌生的感覺。因為經過這些年來的不斷改良，企業號的功能與威力都增強了許多，但也因而使得前任的艦長寇克將軍有點摸不著頭緒了。

不過還好的是，接下來馬上就有很大的驚喜沖淡了這份陌生感--神通廣大的寇克竟然在短時間之內幾乎把老戰友都找齊了！例外的只有史波克先生，他因為正在瓦肯星進行高深的修鍊，所以沒有辦法趕來，成了這次任務的唯一遺憾。

由於寇克是星際艦隊的高級長官，所以在出發之後，迪卡艦長只好很不情願地暫時交出指揮權。一開始的時候，兩位新舊艦長之間難免有些成見與摩擦，但漸漸地就因為相互了解而變得惺惺相惜。寇克發現迪卡的確是個優秀稱職的好艦長，而迪卡也開始真正地把寇克敬作父親。原來迪卡的父親也曾做過寇克部下，後來卻不幸在「末日武器」那個事件中英勇犧性了。

企業號上的新面孔，除了迪卡艦長之外，還有一位美麗的女領航員伊莉雅。雖然她是德羅坦星人，但除了沒有頭髮之外，卻是地球人眼中的標準美女，連迪卡艦長都曾與她有過一段羅曼史。

在迎向能量雲的途中，企業號突然發生嚴重故障，不得不把速度減慢下來。沒想到此時史波克卻意外地出現了，使得所有的老戰友全都興奮不已。原來史波克還是沒有通過最後的考驗，他體內深藏的人性仍然無法根除。當史波克面對現實，完全想通之後，便決定還是回到星際艦隊來繼續服役。

不過，在精通心理學而洞悉人性的麥考伊眼中，卻已經看出了寇克與史波克的複雜心情。他感覺到他們最關心的似乎並不是這次的任務，而是返企業號的成就感。

由於史波克的高超能力，很快就幫史考特等人排除了一切故障，使得企業號能及時迎上那團能量雲。不料正當穿進雲層時，伊莉雅卻突然被一種不知名的力量擄走，然後卻又傳送回來了一個與她一模一樣的複製人。據這個複製的伊莉雅說，她是那團雲派來作為雙方溝通的媒介。原來這團雲竟然是個有智慧的個體！它透過假伊莉雅，宣稱自己的名字叫「威者」（V'ger），正要航向地球去尋找自己的創造者，並且還要試圖與創造者結合。接著假伊莉雅又不顧眾人的疑惑，反而開始詢問有關企業號的問題。因為過去與伊莉雅的一段淵源，迪卡便理所當然地負責與這位假伊莉雅溝通；他還不時地利用這種特殊關係，試著向她套取更多威者的情報。

當這團能量雲還剩幾個小時就要到達地球時，史波克擅自偷了一艘小型太空梭，單槍匹馬地駛向雲層內部，試著用瓦肯人的心靈感應術與它溝通。結果史波克發現威者竟然是部活機器，它的故鄉在銀河系的另外一端，是一個全部由機器人統治的星球。

雖然威者具有無比強大的威力，卻與人類一樣有個始終無法解開的謎--不知道自己的生命從何而來？但史波克不能了解的是，它為什麼要到地球去尋找答案？

因為無法阻止威者，企業號只好隨著它一起航向地球。到達地球之後，威者立刻開始用各種訊號呼喚它的創造者，結果當然是得不到回音。但又不知是什麼緣故，威者卻認為這全是地球上的「碳基生命」干擾所致，因此決定要把所有的生物全部消滅！

好在寇克急中生智，騙假伊莉雅說創造者必須先與威者面對面接觸，然後才肯回答它的問題。假伊莉雅信以為真，便帶領寇克、史波克、麥考伊與迪卡一起走向能量雲的核心。沒想到卻發現裡面只有一艘老式的太空船--三世紀前從地球發射的「旅行家二號」（Voyager Ⅱ）。原來它在飛過了那個機器人的世界之後，被改造成一部有智慧與意識的機器，然後又繼續執行人類在三百年前賦予它的原始命令--「搜集一切資料並立刻傳回地球」。

真相大白之後，威者卻又提出一個更驚人的要求，它說它想要真正地擁抱自己的創造者--人類。於是迪卡艦長自告奮勇，在一片奇異耀眼的光芒中，與威者以及複製的伊莉雅結合成一體。威者融合了迪卡與伊莉雅的人性，變成一種嶄新的生命形態，心滿意足地離開地球，繼續它無盡的宇宙探險。地球的危機也就此化解。

[编辑]

Act One

An immense Cloud of vast, controlled energy passes through Klingon space. Three K't'inga class battle cruisers led by the IKS Amar respond to the incursion. After their photon torpedo volley is swallowed by the Cloud without effect, the squadron pulls back. A nearby Federation Starfleet listening post, Epsilon IX, observes the engagement, including the effortless annihilation of the Klingon starships by the Cloud's energy weapon. Unhindered, the Cloud continues on a course that will take it into Federation space, headed directly for Earth.

On distant Vulcan, Starfleet Commander (inactive) Spock has neared complete attainment of the Kolinahr discipline, a complete purging of emotion. Disturbed by a new awareness of the approaching Cloud that seems to speak to his human side, he interrupts the final ceremony, leaving his recent ambition unachieved.

Chief of Starfleet Operations Rear Admiral James T. Kirk arrives at the Presidio campus of Starfleet Headquarters in San Francisco. Meeting Commander Sonak, the Enterprise's recently appointed Science Officer, Kirk expresses his intent to accelerate the deployment of Enterprise under his own command. After a short meeting with Admiral Nogura, Kirk transports to the orbital office complex of the San Francisco Fleet Yards, nearby the drydock where the Enterprise has spent the previous eighteen months undergoing a massive refit.

Chief Engineer Montgomery Scott escorts Kirk to the Enterprise, piloting a shuttlepod. Protesting the limited time allotted, the engineer presents a list of problems and insists the Enterprise needs a shakedown first. Kirk plainly explains the danger of the approaching Cloud, and that the only starship in range to intercept is the Enterprise, ready or not. Coyly, Kirk reveals that he'll be taking the center seat. Scotty responds with a promise that Enterprise will launch on schedule.

Mr. Scott indulges his once and future captain with a thorough inspection of the redesigned and rebuilt heavy cruiser USS Enterprise (NCC-1701). Visibly drastic differences include two new warp engine nacelles atop swept-back pylons, a recessed navigational deflector beneath a prominent new dual-photon torpedo complex, a new impulse drive system, and new bridge module.

Boarding the ship without ceremony, Kirk briefly greets his familiar bridge crew before making his way to the new engine room, where Captain Willard Decker assists Scotty with launch preparations. The son of an old colleague and hand-picked by Kirk to succeed his captaincy, the young officer expects a friendly send-off. Instead, he's incredulous at the news he's been displaced and demoted in favor a recently desk-bound officer unfamiliar with the ship's new systems. Kirk's attempt to apologize is rebuffed, but Decker acknowledges his new status with "Aye, Sir."

A console erupts as part of a transporter malfunction in progress. Kirk and Scotty rush to the transporter to help Chief Rand, but are unable to maintain the pattern integrity of Commander Sonak and another officer in transit. Twisted humanoid flesh coalesces, screaming, then fades out. A chilled officer on the other end of the stream reports, "What we got back... didn't live long, fortunately." Kirk exits to the corridor, dismayed by the deaths. Disoriented, he asks for directions, a weak moment witnessed by Decker. Refusing to acknowledge embarassment, Kirk informs Decker that without Sonak, he'll have to perform double-duty as First Officer and Science Officer.

Flanked by his senior staff on the Recreation Deck, Kirk briefs the mustered Enterprise crew on their mission. An incoming subspace transmission from Epsilon IX demonstrates the relentless advance of the Cloud, which destroys the station without leaving a trace. Kirk announces Enterprise's impending launch.

Final crew replacements arrive. The new Navigator, Lieutenant Ilia is a Deltan, causing a stir among the male bridge crew. As if a reassurance, she cites her oath of celibacy is on record. Her meeting of now-Commander Decker suggests their romantic history.

Word of an officer refusing to undergo transport sends Kirk back to the transporter room, transmitting his order to beam the man aboard. Doctor Leonard McCoy materializes, immediately griping about his forced return to active duty. Kirk admits responsibility for the draft, asking for his old friend's help. McCoy asks permission to come aboard.

As ready as she can be, the reborn Enterprise gracefully slips from drydock for open space under thrusters. Kirk is obviously comfortable in his new chair, and orders Lieutenant Commander Hikaru Sulu to accelerate under impulse power. At half the speed of light, Enterprise makes its way to the edge of the solar system.

[编辑]

Act Two

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[编辑]

Memorable Quotes

"...and we have an untried captain."
"Well, two-and-half years as Chief of Starfleet Operations may have made me a bit stale, but certainly not untried... They gave her back to me, Scotty."
"Gave her back? I doubt it was that easy with Nogura."

- Scotty and Kirk

"Admiral -- I want this! As much as you wanted the Enterprise back, I want this!"

- Decker, entering the final code to V'ger

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Background Notes

Grace Lee Whitney (Janice Rand) and Mark Lenard (Klingon captain) are the only actors, besides the original cast, to appear in both this film and the final Star Trek: The Original Series film, Star Trek VI: The Undiscovered Country.
According to the Guinness Book of Records, when the movie was produced, it was the most expensive film ever made with a total production cost of US$46 million. This doesn't take inflation into account, however; taking it into account, Cleopatra was (and still is) the most expensive film ever made.
The film earned $11,926,421 in its opening weekend at the US box office, a record at the time.
The world premiere of the film took place in Washington, D.C. on December 6, 1979. It was a fund raising event for the National Space Club. A black tie affair, it was followed by a reception with all the film's stars and Gene Roddenberry at the National Air and Space Museum, complete with an orchestra playing the Jerry Goldsmith theme. (Some internet sites incorrectly state it was at the Kennedy Center.)
Paramount sought and obtained a variety of Design Patents on some costumes, ships, and props from this movie.

William Shatner and director Robert Wise

The plot and script emerged from the failed pilot for Star Trek: Phase II, "In Thy Image". The film was adapted as a novel and as a three-part comic.

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Saucer Separation

Throughout most of the filming of The Motion Picture, a final ending story had yet to be developed. Designer Andrew Probert provided the producers with his own script suggestions for a visually dramatic conclusion, and storyboarded the key event. For the record, the possibility of the original Enterprise's undergoing a saucer separation was first mentioned in the original series episode "The Apple". But it was not until the pilot episode of The Next Generation that the maneuver was finally depicted.

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The Walk to V'Ger

Twenty-two years after The Motion Picture appeared in theatres, the film was re-released with the intention of depicting an improved version, closer to the director's original vision. The Director's Edition added a new sound mix and new scenes to Robert Wise's classic film, but one of the most notable changes from the original version is the stunning addition of new visual effects, specifically in how the mysterious craft V'Ger, is revealed. Since the walk to V'ger scene was the climax of the movie, it was important to convey a sense of the extraordinary and fantastic by using the new visual effects to complement the original film rather than overwhelm it. Critical opinion is mixed as to whether it succeeded.

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Footnotes

There is some controversy over the dating of the first Star Trek movie. The official Star Trek Encyclopedia, written by Michael Okuda, places TMP in 2271, stating that it took place two years after the end of the last five-year mission. Okuda places the Enterprise's five-year mission between 2264 and 2269. However, this does not account for the non-canon but sometimes-accepted events of the animated series, which some fans believe took place in late 2269 and early 2270. Furthermore, VOY: "Q2" states the mission did end in 2270. Based on Decker's line to Kirk, that the latter had "not logged a single star-hour in the last two and a half years." There is also the quote from Kirk to Scotty, "Well, two and a half years as Chief of Starfleet Operations may have made me a bit stale, but I certainly wouldn't exactly consider myself untried." This indicates a minimum of two-and-a-half years between the time the Enterprise returned to drydock (following the end of TAS) and the beginning of the first movie. This interim places TMP some time in 2272 or 2273 (depending at what point in 2270 the ship returned home).

Despite the information from the normally reliable Okuda (he was after all in charge of maintaining continuity), the figure of 2273 seems more logical. First off, it has generally been accepted that the series ran in the same year in the 23rd century, as the shows did in the 20th century with Where No Man Has Gone Before filmed in 1965 set in 2265 and thus the five-year-mission ended in 2270, any TAS argument aside. Scotty and Decker state the Enterprise has undergone 18 months of refitting, it doesn't necessarily follow that it started as soon as the five-year-mission ended. The crew would have needed some rest, say six months shore leave. That still leaves a year unaccounted for, perhaps this could be tied up with planning needed to decide what new features would go into the refit and finalizing the design. With all the talk of how long it took to design Enterprise-D, this actually seems very rapid.

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Cast of Characters

William Shatner as Captain Kirk
Leonard Nimoy as Spock
DeForest Kelley as Dr. McCoy
James Doohan as Scotty
George Takei as Sulu
Majel Barrett as Dr. Chapel
Walter Koenig as Chekov
Nichelle Nichols as Uhura
Persis Khambatta as Ilia
Stephen Collins as Decker
Grace Lee Whitney as Janice Rand
Mark Lenard as the Klingon Captain
Billy Van Zandt as the Rhaandarite ensign (credited as "Alien boy")
Roger Aaron Brown as Epsilon Technician
Gary Faga as an Airlock Technician
David Gautreaux as Commander Branch
John D. Gowans as the Assistant to Rand
Howard Itzkowitz as a cargo deck ensign
Jon Rashad Kamal as Lt. Commander Sonak
Marcy Lafferty as Chief DiFalco
Michele Ameen Billy as Epsilon Lieutenant
Jeri McBride as a Technician
Terrence O'Connor as Chief Ross
Michael Rougas as Lt. Cleary
Susan J. Sullivan as Woman

Crew Members

Klingon Crew

Vulcan Masters

Edna Glover
Norman Stuart
Paul Weber
Joshua Gallegos as Perez (credit as "Security Officer")

Yeomen

Lisa Chess
Leslie C. Howard
David Gerrold as an Enterprise crewman (uncredited)
Bjo Trimble as an Enterprise crewman (uncredited)

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Crew

Technical Assistants

Stunts

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批評

普遍來說，由於電影節奏緩慢，而且相比於故事情節與人物性格，電影過分著重特技，所以《星艦迷航記》是《星艦奇航記》電影系列中令人失望的一集，有些《星艦奇艦記》的擁躉更嘲諷這是「The Motionless Picture」。不過，亦有擁躉認為這是系列中最好的一齣，因為它最準確地反映了《星艦奇航記》創作人金·羅丹貝利的對未來的看法。

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